VINCENT DE PAULA, CSC IS AN AWARD WINNING CINEMATOGRAPHER BASED MAINLY BETWEEN LOS ANGELES, VANCOUVER AND LONDON.

ORIGINALLY FROM SPAIN, HE MOVED EARLY ON TO LONDON TO PURSUE HIS GOAL TO BECOME A CINEMATOGRAPHER. WHILE IN THE UK HE RAPIDLY

STARTED FILMING HUNDREDS OF COMMERCIALS, MUSIC VIDEOS AND DOCUMENTARIES. THE DOCUMENTARY WORLD WAS A GREAT SCHOOL, AS HE

QUICKLY LEARNT TO ADJUST TO THE ENVIRONMENTS HE WAS FILMING AND USING NATURAL LIGHT AND AVAILABLE SPACE TO BEST SERVE THE

STORY, AN APPROACH HE STILL USES TODAY WHILE WORKING ON BIGGER FEATURE FILMS AND EPISODIC TV.

EARLY ON THIS BRITISH PERIOD HE LENSED MUSIC VIDEOS FOR THE LIKES OF AMY WINEHOUSE OR BRIAN ENO, AMONGST MANY UP AND COMING

BRITISH BANDS OF THE TIME. HE WAS ALSO VERY BUSY FILMING SPOTS FOR SONY, VODAFONE, MCLAREN, KODAK, ETC.

HE QUICKLY GAINED A REPUTATION FOR BEING VERY FAST ON SET AND STARTED FILMING INDEPENDENT BRITISH FILMS SUCH AS THE CULT CLASSIC

‘DON’T LET HIM IN’ (featured in the American Cinematographer Magazine, Feb 2012) OR THE DANISH FEATURE ‘THE WILL’.

NOW WORKING MAINLY IN NORTH AMERICA, HE HAS LATELY BEEN THE CINEMATOGRAPHER ON FEATURE FILMS SUCH AS

‘2 HEARTS’ (UNIVERSAL) OR ‘THE INHERITANCE’ (VERTICAL), BOTH WITH THEATRICAL RELEASES, TO NAME A FEW.

ALWAYS AIMING TO JUMP BACK AND FORTH BETWEEN FEATURES AND EPISODIC TV, HE HAS BEEN THE CINEMATOGRAPHER ON TV SERIES SUCH AS

‘MAID’ (NETFLIX), ‘FIREFLY LANE’ (NETFLIX), ‘THE IRRATIONAL’ (NBC), ‘ZOEY’S EXTRAORDINARY PLAYLIST’ (NBC), ‘REBOOT’ (NETFLIX), AS WELL

AS OTHERS SUCH AS ‘UPLOAD’ (AMAZON), ‘THE GOOD DOCTOR’ (ABC), ‘SECOND CHANCE’ (FOX), ‘THE MAN IN THE HIGH CASTLE’ (AMAZON)

‘PROJECT MC2’ (NETFLIX), OR THE LAST SEASON OF ‘THE FLASH’ (WARNER BROS) FOR WHICH HE WAS HIRED TO BRING HIS CINEMATIC APPROACH TO

THE VERY LAST SEASON OF THE ICONIC SERIES.

VINCENT HAS WON AWARDS AND NOMINATIONS FOR HIS CINEMATOGRAPHY, AND HIS WORK HAS BEEN SEEN WORLDWIDE.

HE IS ALSO BUSY ON PODCASTS ON THE SUBJECT OF CINEMATOGRAPHY AND FILMMAKING AS WELL AS FEATURED IN MANY MAGAZINES

AND PUBLICATIONS OF THE TRADE, SUCH AS THE AMERICAN CINEMATOGRAPHER MAGAZINE OR

THE CANADIAN CINEMATOGRAPHER MAGAZINE TO NAME A FEW.

‘I ALWAYS TRY TO BRING A VERY PASSIONATE AND POSITIVE ATTITUDE TO EVERY PROJECT I AM INVOLVED.

I LOVE COLLABORATING WITH THE DIRECTOR AND MY CREW TO FIND THE PICTURES THAT DESCRIBE THE STORY FROM AN EMOTIONAL PERSPECTIVE.

STORY IS VERY IMPORTANT TO ME AND I NEED TO ALWAYS HAVE A CONNECTION WITH IT. I LIKE TO GIVE THE ACTORS AND THE DIRECTOR AS MUCH

TIME AS POSSIBLE, FOR THAT REASON I REALLY ENJOY MOVING FAST.

I DEVELOPED A LOVE FOR PAINTING WHEN I WAS A KID, I DISCOVERED THE MASTERLY TREATMENT OF LIGHT BY VERMEER, THE USE OF COLOR AND

PERSPECTIVE BY THE LIKES OF DE HOOCH, THE CHIAROSCURO OF CARAVAGGIO OR MONET AND THE IMPRESSIONIST STYLE.

THIS LED ME TO A STUDY OF PAINTING AND SOON AFTER MY LOVE FOR PHOTOGRAPHY, WHICH I CONSIDER MY PASSION, STUDYING THE WORK OF

SAUL LEITER, GORDON PARKS, STEPHEN SHORE, TODD HIDO, ALEX WEBB, WILLIAM EGGLESTONE, ERNEST HAAS, AND MANY MANY HUNDREDS MORE!!

WITH ALL THESE INFLUENCES I SOON DISCOVERED THE IMPORTANCE OF AN IMAGE, AND HOW MUCH I COULD ’SPEAK’ WITH THE USE OF LIGHT,

CONTRAST, COLOR AND COMPOSITION, AND DECIDED THEN THAT I WANTED TO BE A CINEMATOGRAPHER. INSPIRED BY THE LIKES OF CONRAD HALL,

GORDON WILLIS, HARRIS SAVIDES, VILMOS ZSIGMOND, ROBBY MULLER AMONGST MANY MORE, I PACKED IT

ALL UP AND LEFT SPAIN ON MY OWN PERSONAL JOURNEY.’

VINCENT IS AVAILABLE WORLDWIDE AND REPRESENTED BY UTA (UNITED TALENT AGENCY) IN LOS ANGELES.